Gestos musicales en la transición del clavecín al pianoforte (1770-1820)

Gestos musicales en la transición del clavecín al pianoforte (1770-1820)

Blog Article

here This document examines the evolution of various “musical gestures” during the transition from harpsichord to pianoforte, focusing on the period 1770-1820.The work is based on historical sources and on my own experience as a pianist.The first part studies effective gestures (associated to the instrument and its touch), and the second one accompaniment gestures (associated to the performance).As a conclusion, ventilationstejp I propose that the transition from harpsichord to piano, as well as the transition from a private to a public stage generated a more extensive display of the effective and accompaniment musical gestures discussed in this work.